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All Aboard the Wes Anderson express – the film director’s reimagined carriage on the Orient Express sister train

Wes Anderson aboard his reimagined Cygnus carriage

As I sit at a white clothed table, take a sip of wine from a cut glass goblet and watch the countryside roll by through the train window, I feel as if I could be in a Wes Anderson film. Not just because trains are a recurring fixture in Anderson’s productions but because the carriage I’m travelling on has been revamped by the movie director himself. 

Paris-based Anderson dislikes flying and is a regular on the Venice Simplon-Orient-Express so Belmond asked him to redesign a carriage on sister train, the British Pullman, which every year takes one of its vintage carriages out of service for a refresh, a spokeswoman for the luxury travel company tells me. 

The British Pullman loops through the English countryside

From the exterior, Cygnus (all the carriages have names rather than letters) looks the same as the rest of the coffee and cream coloured train waiting at London’s Victoria station. I had been greeted aboard that morning by a friendly, white-gloved steward and shown to my upholstered seat where canapes were waiting on the table and a flute of champagne swiftly poured.

“Are you a fan of Wes Anderson?” the steward asks. I reply that I am. But I am also an Agatha Christie and art deco fan and having been on the train a few times, including this very carriage, I’m curious to see the changes.

The walnut walls and overhead brass luggage racks have been kept intact to which Anderson has added his own touches. He’s brought in angular seating in place of the oversized upholstered armchairs; replaced the traditional, shaded lights with sleek art deco style lamps and the furnishings now all feature geometric prints.

Wes Anderson reimagined carriage with pink ceiling

What catches my eye the most though is the ceiling painted a divine pink. This sugary shade is one of the director’s signatures and it occurs to me that the green and pink colour scheme of the carriage is the same as showstopper pastry from Mendl’s bakery in The Grand Budapest Hotel as well as the main character’s costumes in Moonrise Kingdom.  

Since cygnus means swan, Anderson has played on the waterfowl theme from the marquetry on the walls to the shape of the champagne coolers in the private coupes – like all the British Pullman carriages Cygnus has two private compartments, seating up to four people, at either end. 

Tiny swan in the marquetry
Cygnus private compartment

Unlike the Venice Simplon-Orient-Express, the British Pullman has no sleeper cars, it is entirely made up of restaurant carriages and so offers day trips from London to various destinations in England and Wales. The inaugural journey for the revamped Cygnus was fittingly to the Welsh capital, Cardiff – Anderson’s middle name is Wales. Upcoming trips next year include Bath, Oxford and Blenheim Palace. I have chosen The Golden Age of Travel which involves a five course lunch onboard while looping through the Kent countryside.

From the tiny kitchen the chef and his team create impressive dishes including duck terrine, roast pumpkin soup, wild sea bass and pineapple upside down cake. The menu is served at a leisurely pace and perfectly timed to be spread out throughout the five hour journey. And all the staff are unfailingly personable and attentive.

Anderson has chosen the tableware for Cygnus, a modern bone china by Royal College of Art graduate, William Edwards who also works with hotels including the Four Seasons, Fairmont and Intercontinental. And the pattern itself – continuing the carriage’s green theme – was designed in collaboration with the owner of Cobblers Cove, Barbados.

Wes Anderson chose the William Edwards china

Like the VSOE, the Pullman is made up of salvaged vintage carriages from the 1920s and 30s. Cygnus was built as a “first class parlour” that was frequented by heads of state. During a break between the main course and cheese, I take a walk through to see some of the other cars. There’s Audrey where the marquetry depicts landscape scenes and Lucille where the inlays feature Greek urns. All the cars are filled with the sound of chatter and laughter. Belmond encourages passengers to dress up and most have which adds to the merriment.

Back in my seat the view turns to farmland with a smattering of oast houses with their distinctive cone shaped roofs that were traditionally used to dry hops. Further on, a glimpse of the sea and the beach huts at Whitstable signal that the train is looping back towards London.

We’re on coffee and chocolate truffles as we edge towards the capital. One last party comes to take a look at “the Wes Anderson carriage”. A train manager catches my eye as we hear the latest proclamations of “Oh wow!” With a smile he says: “Everyone is very jealous of you travelling in this carriage.”

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